V: How did your studio be.assembly come about?
B: be. Assembly started as a group of artists during Covid. We sold one-off pieces, with all the proceeds going to those in need. An assembly is such a beautiful term for me. This idea of different people coming together by chance to somehow create or just be. Assembly is my ultimate dream. The nature of the assembly is to come with your degree and your training and your talents, but to exist in the studio. We are an interior design and architecture studio that wants to offer our own crafts, objects and furniture.
V: Where do your ideas often come from and what’s the process there?
B: I know now that the real connection for me to clay is not about a predefined form. I used to sit down at the wheel (having drawn or sketched shapes) and try to make these shapes and most times I could, but the shapes were lacking something. When you’re working with earth, you have it in your hands something that is very alive with its own history. The texture of earth, its smell, its colour; our senses are possessed by the feeling of nonhuman wisdom connecting with us. It is something primordial. So I stopped sketching, weighing, measuring and referencing. I let my fingers choreograph against the earth surfaces. Sometimes the ceramic piece is so big, my body glides and moves along its form – almost as if I were dancing again.